Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Thomas sidney cooper,R.A.
A Meadow scene (mk37)

ID: 25432

Thomas sidney cooper,R.A. A Meadow scene (mk37)
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Thomas sidney cooper,R.A. A Meadow scene (mk37)


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Thomas sidney cooper,R.A.

1803-1902 English painter. He was encouraged in his ambition to become an artist by Sir Thomas Lawrence and the animal painter Abraham Cooper (no relation; 1787-1868). He entered the Royal Academy Schools, London, in 1823. He subsequently taught art in Brussels where he met Eugene Verboeckhoven, whose work had a profound influence on him. Through Verboeckhoven he came to appreciate the work of such 17th-century Dutch painters as Aelbert Cuyp and Paulus Potter. In 1831 he returned to London, exhibiting at the Royal Society of British Artists. He exhibited 48 pictures at the British Institution between 1833 and 1863. The majority of his work was, however, exhibited at the Royal Academy; from 1833 to 1902 he exhibited 266 works there without a break,  Related Paintings of Thomas sidney cooper,R.A. :. | Mountains seen from l'Estaque | Jagdungluck | Portrait of Cardinal Albergati sdg | Portrat des Hans Haubold Graf von Einsiedel | The Little Yellow Horses (mk34) |
Related Artists:
Francesco Brina
Italian , Florence cIRCA 1540-1585/6
la patelliere

Basawan
Indian Miniaturist, active ca.1556-1600,Indian miniature painter. One of the great talents to flourish under the emperor Akbar (reg 1556-1605), he was a prolific painter who contributed to virtually all the great illustrated manuscripts executed in the imperial workshops over a span of some 40 years. While most Mughal artists were concerned with the importance of line, colour and surface pattern, Basawan, with a greater understanding of the techniques of imported European works, developed a palette closer to that of European oil painting and dissolved outlines to create greater three-dimensionality. In his work, surface patterns are subservient to a dramatic spatial penetration of the picture plane. These traits were quite new within both Indian and Islamic traditions, and Basawan led the vanguard in adopting them. His work is remarkable also for the complexity of his compositions, his skill at giving roundness and density to his figures and his sensitive portrait-like faces.






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